As with all generalizations, exceptions exist-projects like Shingeki no Bahamut exist-projects rooted in gacha games where the producers gave the studio creative freedom and money to guarantee their audience be treated to high-quality TV anime they wouldn't have had otherwise, but Takt Op. It's why there's absolutely no creativity or originality in any of its story beats. This is a business model you should feel insulted to have aimed at you. Destiny if you legitimately do not care about the quality of the anime you watch.Īnime adaptations of manga, light novels, and even anime-original concepts have a story at their core and something they are trying to portray or convey while also attempting to expand the audience of the original work, but shows like this have nothing at their core except shitty mobile games designed to drain money from gullible pay pigs. I beg you, please don’t take this the wrong way. anime community, then I imagine you'll be fine with anything it does or anywhere it goes so long as it continues to have waifubait and vaguely cool-looking, lopsidedly produced action scenes to keep you horny and awake. If you can watch even the first episode of this gacha game commercial and see anything other than lifeless, artless, cynical trash appealing to the absolute lowest common denominator of the I’m moving on with my life.” And this show desperately calls for that kind of an axe-grinding. You have to be confident when you recognize vapidness to say, “This is vapid. Destiny may rival Fate/Apocrypha and Fate/Grand Order as the single most kludgy, embarrassing, confused mishmash of otaku-culture stew that the Japanese anime industry as ever attempted to pour down my throat.
With a D2-infested path and many more arduous obstacles ahead of them, will the trio make it to New York City in one piece? Meanwhile, Destiny's sense of duty drags the group into trouble along the way. Takt is in a hurry to reach the city so that he can play the piano again, even though his passion attracts the creatures he has come to despise. Searching for a means of stabilizing the pact between themselves, Takt and Destiny-alongside Anna-embark on a perilous journey to the Symphonica Headquarters in New York City. The same incident kills Anna Schneider's younger sister, Cosette, and brings Takt into contact with his Musicart, Destiny. Takt Asahina, an aloof piano prodigy, finds himself transformed into a Conductor following a spontaneous D2 attack. Humanity's only form of defense against the D2s are Musicarts, young women representing pieces of classical music and Conductors, the ones controlling them. A public decree banned citizens from playing any melodies, to prevent further casualties caused by the D2s' hatred for music-even now, in 2047, this prohibition is still in effect. The United States of America has been in chaos ever since the emergence of D2s, an invasive species originating from a black meteorite that fell to Earth.
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